導(dǎo)演:皮奧特爾·舒爾金
主演:耶日·斯圖爾 克里斯提娜·楊達(dá) 卡里娜·謝魯斯克 馬里烏什·德莫霍夫斯基 馬雷克·瓦爾切夫斯基 揚(yáng)·諾維茨基 亨里克·比斯塔 萊昂·涅姆奇克 克茲佐夫·馬扎克 斯坦尼斯瓦夫·伊加爾
TAG:科幻
簡(jiǎn)介: Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
約翰·庫(kù)薩克,阿曼達(dá)·皮特,切瓦特·埃加福,坦迪·牛頓,奧利弗·普萊特,湯姆·麥卡錫,伍迪·哈里森,丹尼·格洛弗,連姆·詹姆斯,摩根·莉莉,扎特科·巴瑞克,畢崔斯·羅森,Alexandre,Haussmann,Philippe,Haussmann,喬翰·厄布,約翰·比靈斯列,黃經(jīng)漢,周逸之,張錚,盧燕,布魯·曼庫(kù)馬,喬治·席格,帕特里克·波查,吉米·米斯特雷,瑞安·麥克唐納德,瑪麗蓮·江恩,區(qū)亨利,帕特里克·吉爾莫,韋弗·里庫(kù)克,多隆·貝爾,大衛(wèi)·奧斯,泰·奧爾森,Zinaid,Memisevic,BJ·
薩姆·沃辛頓,佐伊·索爾達(dá)娜,西格妮·韋弗,史蒂芬·朗,奧娜·卓別林,大衛(wèi)·休里斯,凱特·溫斯萊特,貝利·巴斯,吉奧瓦尼·瑞比西,杰梅奈·克萊門特,杰米·福雷特斯,埃迪·法可,克利夫·柯蒂斯,喬·大衛(wèi)·摩爾,,杰克·尚皮永,馬特·杰拉德,科斯頓·約翰,菲利普·蓋廖,布里坦·道爾頓,特里尼蒂·布利斯,小杜安·埃文斯
小野友樹,上田麗奈,齊藤壯馬,內(nèi)田雄馬,雪野五月,倉(cāng)田雅世,福山潤(rùn),置鲇龍?zhí)?中谷一博,大橋彩香,高橋李依,長(zhǎng)繩麻理亞,速水獎(jiǎng),三木真一郎,日高里菜,山寺宏一
木村拓哉,黑木美沙,柳葉敏郎,緒形直人,西田敏行,高島禮子,堤真一,橋爪功,池內(nèi)博之,麻衣子,矢柴俊,波岡一喜,三浦貴大,齋藤工,山崎努
細(xì)谷佳正,高橋李依,村瀨步,坂本真綾,小西克幸,杉田智和,檜山修之,堀內(nèi)賢雄
亞倫·保爾,肖恩·賓,琳娜·海蒂,戴維·甘特,達(dá)林·德·保羅,特雷弗·德瓦,阿德里安·布薛特,連姆·穆爾維,約翰·德米塔,安德里亞·提瓦塔,托德·哈伯空,亞當(dāng)·克羅斯代爾,克里斯托弗·L·帕森
韓瑩棣,鄭海音,馮遠(yuǎn)征,石班瑜,涂松巖,楊婷,查琳·易,約翰·卡拉辛斯基,杰森·蘇戴奇斯,大衛(wèi)·克羅斯,邁克爾·佩納,吳恬敏,杰特·尤爾根斯米爾,安娜·阿卡娜
小野坂昌也,速水獎(jiǎng),鶴廣美,雪野五月,坂本真綾,磯部勉,島田敏,立木文彥,飛田展男,楠大典,井上喜久子,三宅健太,逢坂力,櫻井敏治,西島陽(yáng)一,奈良徹,川原慶久,近藤?gòu)V務(wù),小野健一,小柳基,藤真秀,近藤浩德,永木貴依子,瀧佳保子,宮川美保,洞內(nèi)愛,矢口麻美
小弗雷迪·普林茲,莫妮卡·蕾爾,維克·米格諾納,托德·哈伯空,埃里克·韋爾,喬希·格雷爾,特拉維斯·威林厄姆,賈斯汀·庫(kù)克,馬克·斯溫特,布魯斯·凱里,勞拉·貝莉,婕德·薩克斯頓,卡拉·愛德華,杰森·道格拉斯,帕特里克·賽茲,杰米·馬奇,杰夫·約翰遜,杰瑞·杰威爾,約翰·伯格邁爾,特莉·多蒂,塔利辛·賈夫
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