

類(lèi)型:電影地區(qū):法國(guó) 年份:1958 詳情
導(dǎo)演:馬塞爾·卡爾內(nèi)
主演:帕斯卡爾·普緹 安德麗·帕里西 雅克·夏里爾 洛朗·特茲弗 讓-保羅·貝爾蒙多 達(dá)妮·薩瓦爾
TAG:劇情
簡(jiǎn)介: Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as Fran?ois Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma fran?ais in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
隋存毅,李恰,李博,呂九億,呂晨,王錦,劉小賓,楊明,馮奕鳴
鄭蘭香,楊安仁,胡炳紀(jì),方允均,倪建甫,王益銓,傅慧娟,吳元煜,周碧琴,朱賢民,薛曉龍,錢(qián)兆生,袁根生,許家變,江淑英
Fafa,Doung,Manich,Heng,Noreakakada
泰莎·法米加,安吉拉·伊萊恩·吉布斯,達(dá)茜·卡爾登,阿塞瑪·托馬斯,凱文·卡羅爾,亞歷山大·霍吉,達(dá)里爾·布里特-吉布森,埃德溫·李·吉布森,海莉·洛,科瓦米·帕特森,Henri,Esteve,Aida,Rodriguez,Patrick,Quinn,特雷莎·加里,La'Charles,Trask,Ty,Molbak,阿德里安·M·蒙波因特,Yinka,Adeboyeku,Nakia,Carter
伊姆蘭·汗,卡特莉娜·卡芙,阿里.札法,約翰·亞伯拉罕,Kanwaljit,Singh,Parikshit,Sahni
郝普,陳凱欣,曹璐
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